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Frank
Van Bogaert :
One
out of Five(Groove Unlimited GR-127)
Since his first solo album “Colours”
in 1998 ,Belgian composer, keyboardplayer and producer
Frank Van Bogaert has grown into one of the most
important players of melodical EM. Up till now he
has released five albums: “Colours”
(1998), “Geographic” (1999), “Docking”
(2000), “Human” (2002) and “Closer”
(2004).
“One Out Of Five” is
a compilation-cd presenting a very solid overview
of what these albums have to offer. The CD is meant
to be an introduction to Frank’s music; this
is why no “previously unreleased” tracks
have been added. Frank loves a big and symphonic
sound, which is one of the reasons that his music
is often compared to that of Vangelis. For instance,
the album opens with an almost Byzantine atmosphere
in “Human”. Melody
is very important in Frank’s music. These
melodies often have a slight euphoric undertone,
like in highlights as “Deserts”,
“Ballet”, “Violet” and “Atmospheric
Conditions”.
The cd is compiled in an excellent way, especially
since it did not fail to incorporate Frank’s
ethnic influences (“Rorogwela”,
“Home By The Sea”, “Geographic”),
as well as his pieces reflecting more intimate moments
(“Falling Leaves”, “Blue”
and the wonderful pianopiece “Earth”).”.
For those who still don’t have music of Frank
in their CD –case this is a great buy! And
this is also definitely true for those who already
have all of his cd’s in their possession.
Paul Rijkens.
(c) E-dition,The Netherlands
(c) I/O Pages,The Netherlands
FRANK VAN BOGAERT "One Out of Five"
Between 1997 and 2004, Belgium composer and master
musician Frank Van Bogaert released five stunning
CDs, each with different themes and degrees of stylistic
growth. Always cinematic by nature, Frank's music
was continually compared to both Vangelis and Jean
Michel Jarre, and surely those reference points
make sense. They all love those "Big Synth"
sounds, and thrive on great, epic arrangements.
But as you will hear on the new collection, "One
Out of Five," the similarities stop there.
Blending electronic music with World music is not
unique to Van Bogaert, but the ease and genius which
he brings to his musical weavings is uniquely his
own. Even the classic sound of "Deep Forest"
finds its way into key tracks. By choosing his own
best tracks, and reworking them into a satisfying
sequence, he has achieved finding that place where
the whole exceeds the sum of the parts, so to speak,
and the result is one of the most marvelous CDs
so far this year. One of our customers, who is a
world-class star-gazer, claims "One Out of
Five" to be the best CD he has ever purchased!
An added attraction is the colorful digipack with
an 8-page booklet containing a retrospective of
Van Bogaert's epic music.
Lloyd Barde,Backroads music,USA
Frank Van Bogaert's 'best of'
entitled "One Out Of Five" brings together
tracks from all his albums to date (as chosen by
various admirers of his work).
Such is Frank's mastery and skill that this was
always going to be an essential album, proving once
again that here is the man who stole Vangelis'
crown(a well-used comparison that Frank refers to
in the detailed sleevenotes!) and with so many wonderful
pieces of music to his credit, surely nobody can
doubt that he is a worthy successor to the Greek
maestro, in fact, this is a virtually faultless
collection of music which, along with the excellent
artwork & a nice booklet makes this an album
that no self-respecting EM fan should be without.
Carl Jenkinson
Thanks so very much for the two best cds in my
library. Frank V. B. is so much the very best groove
in there baby. It is so hot! The cd art is fantastic,
the soundscapes are intricately full and projectile.
He is an incredibly progressive musician with a
depth unparalleled. world beat, symphonic , electronic,
chill out a must for any club lounge with balls.
I moods, Frank has a magnetic and intensifying air
of electro-magnetism with increasing strength keeping
you attentive to the next musical mood swing into
another. nice long tracks that could go on all night.
In there with the best also my friends.
2006. flyingman / WAWL Chattanooga
State (USA)
We kennen allemaal tovenaars met toetsen en synthesizers
als Klaus Schulze,
Edgar Froese of Vangelis. Het kan niet internationaal
genoeg zijn. Toch
hebben wij in ons eigen kleine landje ook het nodige
talent zitten. Frank
Van Bogaert is zo’n talentvolle
muzikant die te weinig op het voorplan mag
treden. Zijn muziek heeft iets speciaals. Frank
geeft grif toe dat een man
als Vangelis zijn volle bewondering weet te wekken,
maar toch kan hij een
eigen toets geven aan het genre met zijn wondermooie
synthklanken.Op
‘One Out Of Five’
kan u luisteren naar een selectie van wat Van Bogaert
op vijf cd’s allemaal te bieden had tot nog
toe. De muziek varieert van bombastisch naar sfeervol
en soms etnisch, zonder echter te verzanden in melige
clichés.
De man weet de luisteraar dan ook te boeien en
tevens te ontroeren met zijn
prachtige klanken. Het is soms
echt bedroevend hoe weinig aandacht er door
de media geschonken wordt aan degelijke muzikanten
die hun vak kennen en op gelijke hoogte staan met
de internationale vedettes uit hetzelfde muzikale
stramien. Beste Frank, u heeft er een fan bij!
© Carl Coppieters,
Stage Magazine,Belgium
When you are blue,
The anguish comes to heart more closer,
Then listen to pulsations
This world and you are living in them.
What are the reasons we love Frank Van Bogaert’s
music ? Is it because it is very melodious &
excellently composed or the fact
that the music of this Belgian composer is always
varried & genuine ? Yes,but his creative work
attracts me mostly because life gushes in Frank
Van Bogaert’s compositions. His music possesses
a mighty inspired male origin which is always in
perpetual motion and carries the listeners with
it, spurring them to follow the composer’s
creative conception with unflagging interest.
The «One Out of Five»
album includes compositions chosen from Frank’s
five previous solo albums . One can really find
the composer’s best pieces on it. I would
call the composition «Rorogwela», based
on a Solomon Islands’ folk melody ,a real
highlight of the album (this tune is also known
under the name «Sweet Lullaby» performed
by «Deep Forest»). In my opinion the
interpretation of this theme by the Belgian composer
is more interesting & profound than that which
is done by the famous «Deep Forest».
The «One Out of Five» album is characterized
by well selected compositions.
Besides it is full of energy. Advisedly Frank Van
Bogaert did not include previously unreleased tracks.
He wanted to present a retrospective of his creative
work just to give his listeners the opportunity
to enjoy the best compositions chosen from all preceding
albums. And this is quite a success. The compositions
of this outstanding composer & performer make
«One Out of Five» a more than
77 minutes lasting experience of listening pleasure
!
I would like to mention one more important particular
feature of Frank Van Bogaert’s music. Being
very powerful and intense his music also has a romantic
flair. It reflects a mature person standing
strong in this world. .
What more can be said? This album should be in the
collection of everybody who loves modern electronic
music.
Just having seen the beauty of the earthly world
You try yourself to give your love to it
Then you will feel its love sent in return…
©Serge Kozlovsky, Belarus
http://mkmk.com/kozlovsky
Nach der Veröffentlichung
von fünf CDs zieht der Belgier Frank van Bogaert
Ende 2005 ein Resümee und bringt eine Best
Of-CD unter dem Titel „One Out Of Five“
heraus. Frank hat mit der Zusammenstellung einige
seiner schönsten Melodien auf dieses Album
gebracht. Dabei ist er nicht in chronologischer
Reihenfolge vorgegangen. Das führt auf dem
Gesamtwerk aber nicht etwa zu einem Bruch. Nein
vielmehr zeigt es, welche atmosphärische Dichte
seine Songs haben und welch musikalische Finesse
Frank besitzt.
Ich weiß, er will es nicht hören, aber
für mich beweist er auch mit diesem Werk, dass
er der belgische Vangelis ist. Das ist nicht abwertend
gemeint, denn die einzelnen Tracks besitzen genug
Eigenständigkeit. Und der vormals von Deep
Forest interpretierte Song „Sweet Lullaby“
kommt in Frank’s Titel „Rorogwela“,
den er schon auf „Closer“ veröffentlichte,
in einer sehr schönen Version daher.
Auch das Artwork des sechsseitigen Digipacks sowie
das achtseitige Booklet mit Infos zu den Alben sind
sehr schön gestaltet. Mit dieser CD kann sich
jeder Freund elektronischer bzw. instrumentaler
Musik einen Einblick in die Musikwelt von Frank
machen.
Sie eignet sich besonders gut für Neueinsteiger,
da sie die schönsten seiner Stücke auf
einem Silberling vereint.
2006. Stephan Schelle
Frank van Bogaert / One Out of Five 14
Tracks 77.20 mins
I often lump albums together under the melodic /
rhythmic banner.
What I tend to mean by this is music which is accessible,
that even
your friends might like, without compromising on
sound Electronic
Music credentials.
Frank Van Bogaert fits that description perfectly.
This is a ‘Best Of’
budget priced (at least at the time of writing this)
compilation that
well showcases this fantastically talented musician
/ tunesmith and
as such is a perfect way of sampling his work.
Little wordless vocal touches mix with twangy sequence
and foot
tapping rhythms on the wonderful opener ‘Human’
from the album of the
same name. A plucked string melody adds an irresistible
joyful element.
Like everything on this album it is all so tuneful
but also easy to get on with
‘Closer’ is the title
track from his latest album and fairly cracks into
life as
static laden electronic fizzes mix with multi layered
rhythms and
melodies which you could actually hum.
The pace picks up at just over the half way mark
reaching ecstatic
proportions. It’s all so catchy and just bloody
marvellous! ‘Deserts’
from ‘Geographic’ is
based around a jaunty sequence accompanied
by melodies which will stick in your head for a
long time after the CD
is out of the player. Very uplifting and exuberant
music that would
make a great theme tune to a sports programme. ‘Rorogwela’,
from
‘Closer’ is a very
gentle piece which slows the pace down a little,
the restrained rhythms being of a faintly ethnic
variety but with the most
stunning piano melody. There is even something of
a Scottish sounding
flourish at the end! Over all it is fairly romantic
I suppose but not overly
smulchy. 'Home by the Sea', from
‘Docking’ starts appropriately
with
the sound of waves breaking on the shore then various
ethnic sounds
including flute and tabla type drums are introduced.
The overall feel is a combination of East and West.
Again, the lead lines
are just irresistible. Even the rhythms are so damned
catchy.
The track builds and builds into quite a frenzy
then comes down to a
gentle calm conclusion for the last minute. It’s
just like having a quiet
brandy on the veranda at the end of a day of partying.
‘Ballet’, from
‘Human’ is a curious
title for a track that sounds anything but balletic.
It starts relatively slowly but still powerfully.
As we progress the pads
and melodies begin to swell to epic proportions.
I can just see if being
used as a backdrop to some African nature programme.
I must admit
that ‘Falling Leaves’
from ‘Closer’ does
rather trip the SMD ‘twee filter’.
It is just too ‘nice’ for my tastes
being mainly a short piano solo.
I suppose people with more mainstream tastes might
consider it to be
a highlight of the album though. ‘Violet’,
from ‘Colours’ begins
with some
ethnic chanting to which is added a beautiful slow
melody bringing up
images of lazy summer afternoons. Dark undulating
drones overlaid by
all sorts of effects and swirling sounds get the
title track from ‘Docking’
underway.
At just under three minutes a jaunty sequence starts
up and we get some
brief snippets of heavily vocoded speech. The drums
come in at the same
time as a gorgeous melody played on plucked strings.
The contrast between such beautiful optimistic music
and the darkness of
the first couple of minutes couldn't be more marked.
Those that like a good, almost lyrical, tune will
just love this.
At six minutes the pace starts to quicken and the
whole sound becomes
even more powerful but still retaining the melodic
quality of before.
On ‘Geographic’ warbling
atmospherics make way for a great melody.
We then get American Indian style chanting which
does rather bring to mind
a multitude of other CDs using the same sort of
sample but it isn’t just
chucked in for the sake of it, it fits very well
with the driving rhythm and
the whole mood of the track. When the chant momentarily
disappears a
beautiful piano melody takes the lead role. ‘Blue’,
from ‘Colours’ starts
with
a repeated melodic refrain to which is added a chugging
rhythm.
It develops into a lovely dreamy number. ‘Atmospheric
Conditions’, from
‘Human’ uses the sound
of a rainy, stormy night as a backdrop for tuneful
colouring with a slight oriental feel to it. Then
in come vast drum flourishes
and the track really takes off with looped angelic
vocal effects in the middle
of the mix softening slightly the wonderful rhythmic
salvos. Exciting stuff!
'A State of Mind', from ‘Docking’
is slow paced but again jaunty and rhythmic.
It has some spoken vocals low in the mix which work
very well in the overall
context of the piece. We finish with ‘Earth’
and for the first few seconds it
sounded just like a cover of ‘Chariots of
Fire’ but the piano melody turns
out to be very different- an absolutely fantastic
‘tune’ nevertheless which
I defy anyone not to like. I don’t
believe anyone can learn to create music
as beautiful and ‘stay in the head’
as this. It is a gift that few have but boy does
Frank have it! The lucky sod.
(c) Dave Law,SMD Magazine,UK
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